求盗梦空间经典台词对白！！！
You're waiting for a train
A train that will take you far away
You know where you hope the train will take you
But you can't be sure
But it doesn't matter
Because we'll be together
你在等一班火车,
火车会带你去很远的地方,
你知道火车会带你去哪但你并不确定,
不过不重要
因为我们会永远在一起
1. You're waiting for a train - a train that will take you far away. You know where you hope the train will take you, but you can't know for sure. But it doesn't matter, because we'll be together.
- Cobb
?
2. What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient... highly contagious. Once an idea has taken hold of the brain it's almost impossible to eradicate. An idea that is fully formed - fully understood - that sticks; right in there somewhere.
3. Cobb: (Over the phone) How are you, huh? How are you doing?
James: Okay, I guess.
Cobb: Who's just okay? Is that you, James?
James: Yeah. Is Mommy with you?
Cobb: James, we talked about this. Mommy's not here anymore.
James: Where?
4. Cobb: What do you want?
Saito: Inception. Is it possible?
Arthur: Of course not.
Saito: If you can steal an idea, why can't you plant one there instead?
Arthur: Okay, this is me, planting an idea in your mind. I say: don't think about elephants. What are you thinking about?
Saito: Elephants?
Arthur: Right, but it's not your idea. The dreamer can always remember the genesis of the idea. True inspiration is impossible to fake.
Cobb: No, it's not.
5. Cobb: I'm just doing what you taught me.
Professor: I never taught you to be a thief.
6. Cobb: You create the world of the dream, you bring the subject into that dream, and they fill it with their subconscious.
Ariadne: How could I ever acquire enough detail to make them think that its reality?
Cobb: Well dreams, they feel real while we're in them, right? It's only when we wake up that we realize how things are actually strange. Let me ask you a question, you, you never really remember the beginning of a dream do you? You always wind up right in the middle of what's going on.
Ariadne: I guess, yeah.
Cobb: So how did we end up here?
Ariadne: Well we just came from the a...
Cobb: Think about it Ariadne, how did you get here? Where are you right now?
Ariadne: We're dreaming?
Cobb: You're actually in the middle of the workshop right now, sleeping. This is your first lesson in shared dreaming. Stay calm.
7. Cobb: You create the world of the dream. We bring the subject into that dream and fill it with their subconscious.
Ariadne: How could I ever acquire enough detail to make them think that it's reality?
Cobb: Our dreams, they feel real while we're in them right? Its only when we wake up then we realize that something was actually strange!
8. Arthur: So, a totem. It's a small object, potentially heavy, something you can have on you all the time...
Ariadne: What, like a coin?
Arthur: No, it has to be more unique than that, like - this is a loaded die.
(Ariadne reaches out to take the die)
Arthur: . Nah, I can't let you touch it, that would defeat the purpose. See only I know the balance and weight of this particular loaded die. That way when you look at your totem, you know beyond a doubt you're not in someone else's dream.
9. The moment's passed. Whatever I do I can't change this moment. I'm about to call out to them. They run away. If I'm ever going to see their faces I've gotta get back home, the real world.
10. Eames: Do they come here to sleep?
Thin Man: (Looking at Cobb) No, They come here to be woken up. Dream has become their reality! Who are you to say, otherwise?
11. Cobb: I will split up my father's empire. Now this is obviously an idea that Robert Fischer will choose to reject - which is why we need to plant it deep in his subconscious. Subconscious is fueled by emotion, right? Not reason. We need a find a way to translate this into an emotional concept.
Arthur: How do you translate a business strategy into an emotion?
Cobb: Well, that's what we're here to figure out, right? Now Fischer's relationship with his father is stressed, to say the least...
Eames: Well, can we run with that? Suggest splitting up the empire as a "screw-you" to the old man?
Cobb: No, cause I think positive emotion trumps negative emotion every time. We all crave reconciliation - we're catharsis. We need Robert Fischer to have a positive emotional reaction to all this.
Eames: Alright, well try this. My father accepts that I want to create for myself, not follow in his footsteps.
Cobb: That might work.
Arthur: Might? We're gonna need to do a little better than might.
Eames: Oh, thank you for your contribution, Arthur!
Arthur: Forgive me for wanting a little specificity.
(Eames appears confused at the word)
Arthur: Specificity?
12. Mal: What are you doing here?
Ariadne: My name is...
Mal: I know who you are. What are you doing here?
Ariadne: I'm just trying to understand...
Mal: How could you understand? Do you know what it is to be a lover? To be half of a whole?
Ariadne: No...
Mal: I'll tell you a riddle. You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. But it doesn't matter. How can it not matter to you where this train will take you?
Cobb: Because you'll be together.?
13. Ariadne: When were you in Limbo?
Ariadne: You might have the rest of the team convinced to carry on with this job but they don't know the truth.
Cobb: Truth? What truth?
Ariadne: The truth that at any minute, you might bring a freight train through the wall. The truth that Mal is bursting through your subconscious. And the truth that as we go deeper into Fischer we're also going deeper into you. And I... I'm not sure we're gonna like what we find.
Cobb: We were working together. We were exploring the concept of a dream within a dream. I kept pushing things. I wanted to go deeper and deeper. I wanted to go further. I just didn't understand the concept that hours could turn into years down there. That we could get trapped so deep. That when we wind up on the shore of our subconscious we lost side of what was real. We created. We built a world for ourselves. We did that for years. We got our own world.
Ariadne: How long were you stuck there?
Cobb: Something like fifty years.
Ariadne: Jesus. How could you stand it?
Cobb: It wasn't so bad at first. Feeling like gods. The problem was that I knew that none of that was real. Eventually, it has became impossible for me to live like that.
14. After my mother died, you know what he told me? "Robert, there's really nothing to be said."
- Fisher
15. Arthur: What about his security? It's gonna get worse as we go deeper.
Cobb: I think we run with Mr. Charles.
Arthur: No.
Eames: Who's Mr. Charles?
Arthur: Bad idea.
Cobb: The second we get in that hotel with Fischer, his security is gonna be all over us. We run with Mr. Charles like we did on the Stein job.
Eames: So you've done it before?
Arthur: Yeah, and it didn't work. The subject realized he was dreaming and his subconscious tore us to pieces
16. Wait, whose subconscious are we going through exactly?
- Ariadne
17. The seed that we planted in this man's mind may change everything.
18. Eventually, She tells me the truth that she was possessed by an idea, just one simple idea that changed everything, that our world wasn't real and in order to get back to the reality, We'll have to kill ourselves.
19. I wish, I wish more than anything. But I can't imagine you with all your complexity, all you perfection, all your imperfection. Look at you. You are just a shade of my real wife. You're the best I can do; but I'm sorry, you are just not good enough.
20. Mal: We'd be together forever. You promised me.
Cobb: I know. But we can't. And I'm sorry.
Mal: You remember when you asked me to marry you? You said you dreamt that we'd grow old together.
Cobb: And we did... I miss you more than I can bear... but we had our time together. And now I have to let go...
21. Cobb: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you, but you can't be sure. Yet it doesn't matter. Now, tell me why?
Mal: Because, we'll be together!
22. Saito: So have you come to kill me? I've been waiting for someone to come for me...
Cobb: Someone from a half remembered dream...
Saito: Cobb? Impossible - He and I were young men together, now I'm an old man.
Cobb: Filled with regret...
Saito: Waiting to die alone...
Cobb: I've come back to remind you of something... something you once knew...
(Sees the top spinning without end)
Cobb: that this world isn't real...
Saito: To convince me to honor the arrangement.
Cobb: To take a leap of faith yes. Come back, and we'll be young men together again. Come back to me...
奠基/盗梦空间/心灵犯案/全面启动/潜行凶间在线观看地址: http://qdmov.com/vodhtml/17287.html
你能看懂《盗梦空间》不？有何感受？
盗梦空间——内在世界的具象化。
《盗梦空间》是2010年上映，由著名导演克里斯托弗·诺兰编剧并指导，莱昂纳多·迪卡普里奥主演的悬疑片。2011角逐奥斯卡，获八项提名并最终夺得包括最佳视觉效果最佳摄影在内的四项大奖，同年，获金球奖多项提名。
从诺兰导演此前作品《蝙蝠侠：黑暗骑士》《失眠症》《致命魔术》，我们不难看出这位导演善于铺展多线剧情和以一种严谨的逻辑描绘主人公不安定的精神状态——这种风格也延续到了本片中，将层层梦境以现实的画面展现出来，将不稳定的内在世界以各种诡异的突发状况表现出来。
开场既是一场梦中梦，主人公团队意图挖掘出目标人物斋藤的秘密，造梦者与盗梦人一同将斋藤拉入梦境，然而盗梦人在窃取目标人物思想时，却发现不属于造梦者创造的，自己的前妻出现了在了梦境里。
经过第一段双层的梦境展现，让观众对于内心世界具象化有了初步了解和较为模糊的认知，而在接下来的故事环节中，通过盗梦人接到的新任务——对目标任务进行意识植入，而展开对造梦和盗梦的多方面、立体而深刻的描绘。
本片在将多重梦境——即人物的内在世界展现给观众时，需要将“造梦者建构世界，所有梦中人都会对造梦者世界有所影响”；“目标人物会在梦境中放松、目标人物的反抗”；“从梦境中脱身方式、梦境最深处、辨别梦境与现实的方法”等多个概念一一向观众介绍，同时讲述盗梦者与前期的感情线，来解释“意识植入”和分不清现实与梦境的悲剧，多条线路多层维度的故事架构，使得本片具有超强的故事性，同时也对导演和编剧的能力提出了极高的要求。
而诺兰导演与他的团队很好的回应了观众，使用多条故事线和盗梦者与造梦者的对话、造梦过程，清晰而明确的将种种新概念讲解给了观众，观赏时无需了解其他任何书籍、访谈，只需要全神贯注跟随影片展开即能很好地了解《盗梦空间》所展现的内在世界构筑，明白盗梦者、造梦者对于这个具象化世界的影响。
梦境是对人内在世界，“人类意识”的展现，而人类意识本就基于外在世界的物质基础，梦中种种都是个人现实生活的折射。
观众可以清晰看到，每个人梦境所展现的，都与造梦者和做梦人自身的环境高度重合。极具特色的西方城市，特征明显的路人们，都是造梦人和做梦人平时生活中所见，所遇，他们的内在世界，是通过平日里对外在世界，对社会和自身的认知来构筑的。
而盗梦和意识植入的行径，无疑是第三方对目标人物进行内在世界的干预，对目标任务的内心的秘密进行窥探窃取，在目标任务内心世界植入病毒，从而影响现实世界。
本片高潮既是主人公正式开始执行“意识植入”的人物，五重梦境加上现实，一共六个维度故事，逐层展开层层递进，同时又会出现同一时间段不同维度故事展开，尤其是实在离开梦境这一刹那的故事，六个维度不同的时间流向故事进程，在不同维度的不同状况（尤其是失重环境下画面）层层交叠的震撼画面，诡异的画面差别和多次强调的同一时间，使得本片在高潮阶段直接打破了传统悬疑片失控上的限制，他直接将多维度的空间叠加，将之前所有的故事线收拢为一体，将之前影片两个小时铺垫的多重空间状况瞬间压缩，使得观影者在一刹那精神高度集中跟随盗梦者一起屏息凝神迎接重重梦境破碎回到现实的时刻。
良好的叙事节奏，使得观众在剧情高潮后，迎接了一个非常自然而舒缓的结尾，盗梦者成功回到了现实，也回归了家庭，不再需要漂泊和继续盗梦，从影院散场的观众也能松了一口气，在走出影院沐浴阳光的刹那，得到彻底的放松。
《盗梦空间》并不仅仅是在讲述梦境，更在讲述与梦境交互的现实世界，他将内在世界展现给观众，然而通过舒缓的结尾，也让紧随剧情的观众意识，回归到了现实。
电影《盗梦空间》的经典句子
经典台词Our dreams, they feel real while we're in them, right? It's only when we wake up that we realize how things are actually strange. Let me ask you a question, you, you never really remember the beginning of a dream do you? You always wind up right in the middle of what's going on.
我们做梦的时候，梦境是真实的，对不对？只有到醒来的时候才会意识到事情不对劲儿。我问你，你从来都不记得梦从何而起是不是？你记得的只有梦中间的部分。
关于造梦的原型
Never recreate places from your memory. Always imagine new places!
不要根据记忆重塑梦境。统统想像出全新的场景。
关于盗梦
What's the most resilient parasite? An Idea. A single idea from the human mind c-an build cities. An idea can transform the world and rewrite all the rules. Which is why I have to steal it.
最具有可塑性的寄生生物是什么？是人的想法。人类一个简单的念头可以创造城市。一个念头可以改变世界，重写一切游戏规则。这就是为什么我要从梦中把它盗取出来。
关于生命的悔恨
The moment's passed. Whatever I do I can't change this moment. I'm about to call out to them. They run away. If I'm ever going to see their faces I've gotta get back home. The real world.
那个时刻我没有把握住。无论我做什么我都不能挽回。我想要呼唤他们，他们却恰好跑开了。如果我再见到他们的脸庞，我就只能回家去。回到真实的世界。
关于爱
You're waiting for a train, a train that will take you far away. You know where you hope this train will take you, but you can't know for sure. But it doesn't matter,not tell me why - because we'll be together.
你在等一列火车，火车会带你去很远的地方，你知道你要去的地方，但不能确定火车将带你去向何方，但是没关系，不要问我为什么——因为我们会永远在一起。
关于放手
I can't stay with her anymore because she doesn't exist. I wish. I wish more than anything. But I can't imagine you with all your complexity, all you perfection, all your imperfection. Look at you. You are just a shade of my real wife. You're the best I can do
盗梦空间-杂志相关(19张); but I'm sorry, you are just not good enough.
她不是真实存在的，我不能和她呆在一起。我也想，我比什么都想，但我想像不出你的复杂情绪、你的种种完美和不完美。看看吧，你只是我妻子的一个影子。你只是我竭尽全力能创造出来的而已，但是很遗憾，你远远比不上真实的她。
关于混沌
①We are young man together,but I'm an old man.Filled with regret,waiting to die alone.
我们曾经都是年轻人，现在我年华已去。心中充满遗憾，孤单地迈向黄泉路。
②-Limbo?
混沌？
-Unconstructed dream space.
荒芜的梦境。
-what the hell down there?
那里面有什么？
-Just raw,infinite subconscious.
只有无穷的原始潜意识。
-Nothing is down there,except for what might have been left behind by anyone sharing the dream who's beentrapped there before.
什么也没有，除了曾经陷入过混沌的人所留下的东西.
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